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Michelangelo gay: the hidden history of the artist

Michelangelo Buonarroti is recognizable to have been, like Leonardo Da Vinci, one of the greatest artists of the Renaissance. His personal animation, like Da Vinci, was just as fascinating as his works of art. 

Michelangelo’s personal life has sparked interest and debate over the centuries, particularly regarding his sexual orientation. The question of whether Michelangelo was gay or not has been the focus of much discussion and investigation of his works, relationships, and poems. 

In this article, we will explore Michelangelo’s life, relationships, and his most known works of art in light of the question about his homosexual orientation, seeking to improve understand the male behind the musician and the historical and cultural context in which he lived. We will also explore the challenges Michelangelo Buonarroti faced in his personal and professional life, and how his authenticity, his passion for art left a durable legacy.

Read also: Gay Rome: the confidential history of the Vatican Museums

Michelangelo Buonarroti: biographical background

Cristofano Allori. Ritratto di Michelangelo

Michelangelo Buonarroti (1

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The YouTuber Débora Aladim drew attention on Twitter by posting parts of Michelangelo’s work at the Sistine Chapel and writing on the caption: “I simply love that Michelangelo has left some hidden gay kisses in the Vatican and no one will ever be able to erase it since it is a world heritage site”.

After her comment reached 40 thousand likes and 6 thousand retweets, she deactivated her Twitter profile due to the criticisms, considering that the artist was aligned to the Catholic Church‘s stance at the period, and that the displayed couple could be among the condemned souls during the Final Judgment.

The website Correio Braziliense came into contact with the art professor and PhD in History from the Goiás Federal University, Vanessa Clemente Cardoso, who said that this is a tough question to answer: “We can’t talk about the artist’s intention since Michelangelo didn’t leave any writings about, he didn’t document the work’s meanings – she explained.

“There is much talk, for example, about Michelangelo trying to confront the church, putti

Was Michelangelo Gay? Let’s Examine the Evidence

Published: Feb 15, 2022written by Rosie Lesso, MA Contemporary Art Theory, BA Decent Art

The great and monumental Michelangelo, master of the Elevated Renaissance, produced some of the most famous and memorable artworks of all time. From his colossal statue of David to the incredible Sistine Chapel ceiling, his artwork is a testament to the scope and ambition of human achievement. A deep understanding of the human body was at the core of Michelangelo’s art, and almost all his paintings featured, or were based on the male body. This has led many to speculate about his sexuality. Can we uncover any truths that imply Michelangelo was homosexual, or is this one of those mysterious questions that will never be answered? Let’s acquire a look at the evidence and see…

Some Say Michelangelo Was Gay Because His Art Was So Focused on the Nude Male Body

Although Michelangelo painted a huge variety of figures throughout his incredibly prolific career, his most notable and ambitious works of art are undoubtedly oppressed by the male form, which has led many to speculate about whether or not this is evidence he was gay. His David, for example, is consi

was michalnegelo gay

«Michelangelo's love for aristocratic adolescent men, his poetry, and his gift drawings are among the many topics explored in the exhibition Michelangelo: Divine Draftsman and Designer, on view at The Met Fifth Road through February 12, 2018. As discussed in the catalogue by the exhibition's curator, Carmen C. Bambach, the artist's homosexuality was an open secret among his contemporaries and integral to understanding much of his artistic production, despite frequent efforts to neglect or censor the topic beginning soon after the artist's death in 1564.»

Left: Michelangelo Buonarroti (Italian, 1475–1564). Sonnet "To Giovanni da Pistoia" and Caricature on His Painting of the Sistine Ceiling. Pen and brown ink, sheet: 11 1/8 x 7 7/8 in. (28.3 x 20 cm). Casa Buonarroti, Florence Archivio Buonarroti (XIII, fol. 111)

On the occasion of the exhibition, I interviewed James M. Saslow, emeritus professor of art history, theater, and Renaissance studies at Queens College and the Graduate Center of the City University of New York (as successfully as my former graduate advisor). A pioneer in the study of homosexuality and the visual arts during the Italian Renais

Michelangelo 1475–1564

The prodigious achievements in painting, sculpture, and architecture of Michelangelo Buonarroti made him legendary during his lifetime as a divinely-inspired creator, while his tempestuous, melancholy, and troubled personality epitomized an emerging conception of artistic genius, particularly the nexus between creative and homosexual temperament. While his supporters countered public presumption of his homosexuality with denial, his enemies used it against him. In modern times, homosexual communities have merged this suggestive biography with his oeuvre celebrating the male body to construct a subcultural icon. That status is reinforced by his poetry, a earnest avocation that produced the first modern corpus of male-male love lyrics.

Trained in Florence, a city proverbial for sodomy, Michelangelo was exposed to homosexuality at all social levels. The sexual demimonde was ubiquitous, while the humanist circles around Lorenzo de' Medici (1449–1492) embraced a Neoplatonic philosophy and art that idealized classical pederasty. The scholar Angelo Poliziano (1454–1494), himself homosexual, taught the artist mythological subjects appreciate that of his scholar car